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Archive for the ‘Music’ Category

Oliver Sack’s Musicophilia bridges the gap between music and the brain by using case studies he has personally dealt with and otherwise. The stories range from the totally bizarre to the horribly tragic. Music can affect the brain in peculiar ways. The studies cover how music cannot only be a miracle for the brain but also a torturous thing that haunts it.

The book is organized with chapters that focus on specific ways in which music affects the brain. The book primarily focuses on telling the stories of those affected by music. However, it also analyzes the stories to an extent and talks about how our knowledge of music and the brain has grown because of the case presented. The conclusions that Sacks draws throughout the book are interesting and engaging.

One particularly engaging story was about a Parkinson’s patient who used the mesmerizing sounds of a drum circle to calm the tics. His circle consisted of other Parkinson’s patients. Sacks recalls watching this inspiring group all sit down at their respective drums, doing their best to not let their tics get in the way as they waited for the leader to start. As soon as he did, the tics stopped almost instantaneously. It was as if some unexplainable force of nature had somehow seeped into the bodies of these patients and enraptured them in serenity and control. It has been proven that a steady, predictable drumbeat, when played in the presence of Parkinson’s patients, can almost completely prevent any tics for the duration of the drumming. Even so, we have not even scratched the surface when it comes to using music in a therapeutic setting. That being said, Sacks uses this case and many more to prove that the beneficial effects of music are simply overwhelming and must be investigated further.

For anyone who is interested in music, psychology, or just wants to be amazed, Musicophilia is an excellent read and is extremely informative. This book hopefully will encourage many to see the importance of continued research in the field of music psychology.

In 1963 rock ‘n’ roll was, well…rolling right along. But very soon, almost overnight it seemed, a wave of change was about to take place. From across the Atlantic in merry-old England, rock ‘n’ roll had gained a foot-hold and the epidemic had infected British youth all throughout the United Kingdom. The sound was very similar in many ways, but there was something different, something more grown-up about it. Whatever it was, American kids, (especially girls), jumped all over it. At first, just a unique sound, this music, along with the bands that created it, would grow, evolve, alter, and forever effect pop music. This musical movement would create new genres of music and influence thousands.

Four lads from Liverpool, England, “The Beatles”, led the way and would be at the fore-front of it all. Not only of other British bands but of the entire musical arena through the ’60′s and into the ’70′s. Songs like ‘Please, please Me’, ‘I Wanna Hold Your Hand’, and ‘Hard Days Night’, had teenage girls swooning, crying and fainting. Not since Elvis Presley, with his great-looks, unmistakable voice, and gyrating hips, was there such a spectacle. The older folks were properly disgusted but could do nothing. The Beatles, along with bands with names like “The Zombies”, “The Animals”, “The Kingsman”, “The Hollies”, “The Kinks”, and the “Rolling Stones”, had taken the U.S. by storm. Then there were the songs, tunes like the Hollies melodic, ‘Bus Stop’ and the fast-paced, hard rocking, ‘You Really Got Me’, by the Kinks were giving fans more of a variety in the their choice of style, which led to the growing appeal. In 1965, lead guitarist for the Rolling Stones, Keith Richards, hit 15 unforgettable guitar cords at the start of ‘Can’t Get No,(Satisfaction), and a No. 1 classic was born. The song was also an example of how more sexually explicit lyrics were becoming.

The Rolling Stones were a prime example of bands that were starting to follow this pattern. Not just the Brits though. American band, the “Doors” with lead singer, Jim Morrison at the helm were considered very racy. And Morrison’s onstage antics were becoming something of legend, getting him arrested at a few shows.

Most of us go through a stage in our life where we really want to do or try something but most of never take that step. 33 Days tells the story of a group of southern California rock band members who did take the step. Three of the four members had never been on their own on July 29, 1987 when they climbed into a rented van and left LA for a national tour. They had no idea of how they would be received nor what affect the trip would have on each of them.

Bill See, the author of the book and the singer/leader of the group, felt the urge to break away from an unhappy home life and believed at the age of 22 he was ready to let his music help others break away from their own problems. For three years his band, Divine Weeks, had been playing around in the LA area. They had been received well enough that Bill knew they could become a national name.

His closest friend, Rajesh Makwana, was the guitarist in the group and was having an extremely hard time leaving his Indian family. Their culture did not joyfully accept his band association. Raj had been subject also to much taunting both in England before the family moved to the states and then in this country. Bill was the closest and best friend he had ever had. So Raj was definitely in on the idea of the tour since music had been the best release from his somewhat unhappy life.

Another of Bill’s close friends was George Edmondson who was not only the band’s bassist but had been dubbed by some to be the best bassist in the LA area. George was also fired up about the trip because he also had become somewhat depressed with his college life and wanted to see Divine Weeks become a national name. However though unhappy with college he still had plans to go on to grad school and he had become quite serious with a young lady.

Dave Smerdzinski was the fourth and final member of the group. Somewhat older and used to living on his own he had recently joined the group and become a powerful force due to his nature, his drumming ability, and his showmanship.

Ian Bader was the group’s road manager and pretty much the steadying influence and caretaker of all of them.

If you happen to be a keen guitar player and treasure your particular axe of choice, you’ll no doubt at some stage have contemplated the most effective way to offer your guitar a performance upgrade. So what possibilities may be out there that won’t involve butchering the guitar and are comparatively straightforward to undertake? Needless to say, if your guitar is a costly model there is every probability that it sported top of the range components, but let us assume for the sake of this particular article, that it is a mid-price to budget model.

The most clear and audible improvement can be had in the pickup area. The materials and the production process of some stock pickups may be less than great, which is reflected by the sound. Some really great replacement humbucking pickups and single coil pickups are available from the big-name companies and additionally some smaller boutique pickup makers. Replacement pickups are generally produced with a more hands-on approach and bespoke versions are offered by several of them.

In my opinion, another early port of call are the original machine heads or tuners. Often the stock tuners are not that great and are maufactured with less good materials. If your guitar is struggling to keep in tune then this is a must (check that your pickups are not too close to the strings as the magnets can occasionally cause tuning issues). You might also just fancy the quality feel and functionality of a top of the range set of tuners. Schaller are an organization who make superb examples for the many various kinds of guitar around.

In case your guitar arrived with a plastic nut then this could also benefit massively from an upgrade. You can buy a new ready-made nut in many different materials such as brass or graphite, or if you are handy with a file you may be confident enough to cut and file a new nut out of bone. This is not the most simple upgrade and the procedure is beyond the scope of this article. Search on line for additional information on this upgrade.

The bridge and tailpiece is another area worthy of consideration. Quite often guitars come with cheaply manufactured versions from China or Korea and impressive gains can be had by utilising versions made from lightweight aluminium and other fancy materials. Again the Schaller range is worth looking at.